Why do the dual mono settings require more attention? For one thing, you need to be careful that the left and right outputs are set exactly the same. Thorp says he recommends that people try it both ways, but says you have to pay close attention to the settings in dual mono. The advantage to that mode is that both sides of the signal get processed evenly. In Stereo mode, the left and right-side parameters are linked, so anything he does on one side will be mirrored on the other. He sets the meters to show gain reduction and puts the compressor into Stereo mode, rather than Dual Mono. It features two different compression types, Optical and Discrete (VCA). He chooses a UAD Shadow Hills Mastering Compressor plug-in for this task. He explains that because the song was recorded live in a reverberant space, compressing the transients (the initial attacks at the beginning of waveforms-for example, the crack of a drumstick hitting a snare) is important to help tighten the sound up. At this point in the mix, he's gotten the individual tracks pretty close to where he wants them and is now preparing to add master bus compression. In this excerpt, Darrell Thorp is working on mixing a live recording of a Foster the People song. Master bus compression can really help solidify a mix.
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